ThemeForest - STEPS v1.2 - Multipurpose Working Wizard with Branches - 21134396
ThemeForest - Automov - Car Repair, Auto Car Services PSD Template - 22349089
Automov designed specifically for auto care, auto centre, auto glass, auto inspection, Auto Mechanic, auto painting, body shop, car rental, car repair shop, car service mot, car wash, garage, maintenance, mechanic workshop website. We have researched over 100 dairy Car Services, Car Repair Website. We build all components to use for a Car Services Website .We sure teeth Based on all the components Automov you can easily build a website Car Services without adding anything
ThemeForest - EAGLEEYES v1.0 - Creative multipages and One page HTML5 Template - 16046901
EAGLEEYES is a Modern and Creative premium HTML5 Template. EAGLEEYES is made in a beautiful style. Anyone can use it for startups, agencies, portfolios like Personal Portfolio, Creative Agency, Designer Portfolio, Illustrator Portfolio, Photographer Portfolio and more.Theme has a universal design, it thought every detail and animation effect. Its just as easy to customize to fit your needs, replace images and texts.
ThemeForest - Corporate Multi-Purpose HTML Template for Business - Roxine - 20392316
Roxine is a high performance, robust and scalable template based on latest Bootstrap 4 framework focused on transforming your online presence into dynamic frontend digital solution that you can use for any project type. The template includes more than 120 demo page examples and has 32 block elements in 100’s of variations. The focus has been to provide a feature rich starting block for any web project that can scale without compromising the design and structure. And, with Bootstrap 4, the template is “future ready” indeed! With HTML5 and CSS3 codes, Retina Ready, Responsive layout, Sass files and Revolution Slider included, built on latest Bootstrap 4 framework and easy to create Unlimited Color schemes with sass files included, Typography and Icons customisation - you are all set to create an awesome creative template. Changing the over all look and feel of site from clean and corporate to creative and portfolio look and feel is easy as a breeze.
ThemeForest - Blix v2.0 - Mobile HTML Template - 21295065
BLIX is an HTML mobile template created for mobile websites, web apps, and integrated with solutions like phonegap/cordova, for real native apps. With an original design concept, some amazing page animations and a perfect responsive code this can be the perfect starting point for your mobile project. The template is available in 2 versions, one integrated with framework7 v1 core, and one simple html.
ThemeForest - Petri v1.0 - Creative Coming Soon Template - 8428555
Petri is a creative, modern, minimal and fully responsive coming soon/under construction template suitable for any creative people, business, agency, portfolio etc…
ThemeForest - Autora v1.0 - Construction Business HTML Template - 22224839
Autora is a HTML Template created for construction companies, building firms, plumbing, heating, painting, tiling, refurbishment, partitions & ceilings, plastering & rendering, carpentry & joinery as well as architecture professionals. Autora is built as a framework. You can easily turn off the function, distance and number of items on all mobile devices by changing the data in the HTM tag. Autora unlimit let you build any design you want. Everything was optimized for you
ThemeForest - Absolute v1.0 - Real Estate & Property Sales Responsive Template - 20266398
Absolute is a modern Real Estate and Rental HTML5 Template. It allows you to create your own real estate business website easily. It is build upon Bootstrap framework to offer best customizability and development experience. Absolute template comes with ready to use layouts for different real estate directions such as real estate agency, property rental, single property, realtor website, properties listing, real estate broker, properties directory and other. Absolute property listing provides multiple property listing variations such as list view, grid listing and map listing.
ThemeForest - Pixal v1.0 - Creative Multipurpose Template - 21888996
Whether you are a corporate personhood or a creative one, Pixal – Creative Multipurpose HTML template would be the perfect selection for you. It has the incredible competency to adapt to the needs of various websites, such as Corporate, Creative, Restaurant, and Photography. It’s an awesome design that will handle your personal image, impression, and most importantly the branding. Pixal – Creative Multipurpose HTML template is fully responsive, and as well as, highly customizable. However, Pixal – Creative Multipurpose HTML template is everything for a modern industry needs to create a website. Try it now in the personal or professional arena to possess the whole functionality!
ThemeForest - Piroll — Minimal and Modern Portfolio HTML Template - 20372990
Piroll – Minimal and Modern Portfolio HTML Template. This HTML Template is designed for any type of portfolio: as well as for designers, photographers, web agencies and studios, freelancers and so on. The template is a Super Easy To Use and it’s also easy to customize.
ThemeForest - Emily v1.0 — Personal Blog HTML Template - 20565691
Emily is a personal blog in a minimalist style. It has a clean and modern design, as well as a convenient structure and usability. Suitable for blogs of almost any subject. You can choose from three color variants.
ThemeForest - Aravira v1.0 - Hotel HTML Template - 19577819
Aravira is clean content focus Hotel Template. It is simple and elegant. Aravira is suitable for any kind of Hotel, Motel, Resort, Booking etc. It’s code structure make this template very easily. All required information’s are provided in the documentation. **Features **
ThemeForest - Con - Material Admin Dashboard Template - 10621512
Con is admin dashboard based on Materialize framework. Template fully based on HTML5, CSS3 standards. Also, you will get AngularJS version for free. It is fully responsive and clean on every device and every modern browser (IE9 and newer). Responsive. Con admin dashboard looks equally good on computers and mobile devices. Customizable. If you know how to work with Gulp, you can easily change the template source code. Change the main color, sizes, fonts, menus, etc. HTML code is divided into blocks - for example, you can easily change the side navigation in one place and it will build in all HTML files directly. You do not have to worry about cross-browser CSS. SASS and Autoprefixer will do it for you. Material Design. Con based on clean and modern design technique. Commented code. All code commented and all pages have code samples for each item or widget. Over 2100 icons. You can use FontAwesome, Material Design, IonIcons and Weather icons packs.
Galiba Font Family - 3 Fonts
Give your voice an eye catching hand-drawn look thanks to this playful font family. You'll get three styles, along with OpenType features including alternates, ligatures and stylistic sets. Galiba Regular works very well with his small brothers Light and Thin. In addition Galiba Light can be used at smaller size along with the other styles to keep the same line thickness. To achieve a random-like effect, the regular style is packed with 4 different variants of each glyph, that automatically cycle if stylistic alternates are turned on. Also you can choose from 5 stylistic sets to easily change the look of a given string, or pick alternates by hand.
Snooze Font Family - 3 Fonts
Snooze is a fun, three-weight font family that looks like the numbers from your alarm clock. That’s right, Snooze is an LED-style typeface! These gained popularity in the home on appliances decades ago, but have since been used all over our urban environment for displays inside buses, tram cars, trains, etc. While there are plenty of LED-style fonts available, Snooze is rather unique in that its design exists in multiple weights: Light, Regular, and Bold. But that isn’t its only variety on offer: each font includes a range of alternate numerals in a Stylistic Set. So there are two options for each of the ten digits! This will help you fine-tune whatever LED-style design you’re working on, whether it is a printed advertisement, or the timer inside a mobile app. Snooze is designed by Morgane Pambrun.
Litmus Font Family - 5 Fonts
Litmus is the newest typeface from Fontstore founder Satya Rajpurohit. It is a slightly condensed humanist sans serif design, with a tall x-height and strokes that end with either horizontal or vertical terminals, instead of diagonals. Ascenders rise noticeable above the tops of capital letters, while the fonts’ numerals are slightly shorter than the caps. Litmus’s interior counterforms are rather open. There are five weights on offer: the Light is monolinear, but the stroke-contrast grows with every weight. The amount of contrast in the Bold is quite high. Each Litmus font makes use of a double-storey ‘a’ and single-storey ‘g’. The fonts may be put to excellent use for text on websites, or in print – especially in documents where a little space-saving is necessary.
Locomo Font Family - 7 Fonts
Locomo is a seven-weight family of constructed sans serif fonts. The sides of each letter in Locomo are flat. Many of the typeface’s characters have rounded tops and bottoms; however, in the case of letters where these are traditionally flat – like in ‘E’, ‘F’, ‘I’, ‘L’, and ‘T’ – Locomo keeps these flat, too. The family’s range of weights begins with Extralight and expands to Black. In all of the fonts, characters are drawn with monolinear strokes. In each of the weights, the fonts’ inter-character spacing is very tight. Locomo is a little wide, especially in the lowercase. The lowercase letters also have a tall x-height. For their design, simple forms have been favored. The ‘a’ and the ‘g’ are both single-storey, for instance. Jean-Baptiste Morizot designed Locomo for display applications; the larger the size, the better. This will give Locomo’s unique design language enough space to make the intended statement.
Sharpie Font Family - 5 Fonts
Sharpie is an informal family of script fonts. It includes five different styles, ranging in weight from Light to Black. The typeface, named after a kind of marker, looks very sign-painterly – almost as if its letters had been written out quickly with a flat brush. All of its letterforms are slanted, and they do not connect with the characters that come before or after them. Sharpie’s strokes are very angular in their appearance. The stroke-contrast is rather modest in the Light weight, but by the Black, it is very strong (really quite awesomely so). Sharpie’s lowercase letters don’t have a very tall x-height. The tops of the ascending-lowercase letters, the capitals, and the numerals all rise to about the same point. The ‘a’ and the ‘g’ in Sharpie are both single-storey in their forms. The typeface is designed by Théo Guillard.
Monorama Font Family - 4 Fonts
Monorama is a family of caps-only display fonts. Its letterforms are sans serif and quite industrial-looking. While text set in the four Monorama fonts appears at first glance to be monospaced, that is just a strong look ; in actuality, the letters have proportional widths. Monorama contains a number of constructed-design hallmarks. The fonts’ ‘M’ and ‘W’ share a nearly-identical form, rotated 180°. Letters that are traditionally rounded, like the ‘C’ or the ‘O’, are all straight-sided. In fact, the Monorama fonts do not include any curves in at all. Stroke-endings are mostly modulated, looking a bit like the ends of strokes in ‘rounded’ fonts (but also like ‘college’ or sports fonts). The ‘Q’ doesn’t descend below the baseline, but still has a tail. The ‘J’ has a non-descending tail of its own, too. The zero features a slash inside of its counter to distinguish it from the ‘O’. Monorama includes a full range of numerators and denominators for typesetting fractions, as well as ten directional arrow glyphs per font. Each font also has two different ampersands to choose from. Monorama is an excellent choice for headline-typesetting and logo design, but will certainly be used for concert and event flyers, too. It would even be great for branding a sports team. Monorama was developed by Deni Anggara, a type designer based in Bandung/Indonesia.
RAY Font Family - 5 Fonts
Ray is a light-hearted family of display fonts. Its letterforms were inspired by the kind of typefaces used on digital displays. The family includes five variants, each of which shares the same character width, inter-character spacing, and OpenType features. They are each derived from a strict grid. Ray One’s letterforms make use of a series of dots overlayed on top of a background grid. The capital letters, lining figures, and lowercase ascenders are nine dots tall. The x-height is seven dots. The descenders have two dots worth of space available below the baseline. The Ray Two fonts uses squares instead of dots. These all run into each other, but still present a pixelated effect to the texts they set. Those squares are rounded off in Ray Three, making this style appear like a combination of the Ray One with the Ray Two font. Ray Four adds bridges between many of the gaps found between the grid units visible in Ray Three. These rounded elements from Ray Four are in turn re-squared in Ray Five, making that font look like a cross between Ray Two and Ray Four. The fonts in the Ray family include both lining and oldstyle figures, as well as several alternates for letters like the ‘Q’, ‘R’, ‘S’, and ‘g’. Ray come from Satya Rajpurohit, the Ahmedabad-based type designer who co-founded the Indian Type Foundry.
Claire Font Family - 12 Fonts
Claire is a family of fonts with sturdy serifs. Several of the weights in the family are optimal for setting large amounts of running texts; the extreme light and heavy fonts, on the other hand, work great together in display applications. The letterforms in Clair have a vertical axis, and their design is reminiscent of contemporary newspaper fonts, as well as late-nineteenth century typefaces along the Century model. Claire includes 12 styles ranging in weight from Thin to Black. Each of those six weights has a companion italic font, too. Claire’s letterforms feature thick slab-like serifs that are bracketed onto their stems. Since the proportions of its uppercase letters are nineteenth-century, they optically feel like they are all almost the same width. The same is true for the numerals, which share the same height as the capitals. The numerals include nice, decorative features, such as flag-like strokes on the bottom of the ‘2’ and the top of the ‘7’. The ascenders of Claire’s lowercase letters rise slightly above the tops of the uppercase letters and numerals. Claire}s x-height is also rather tall. The lowercase ‘g’ in the upright fonts, which is double-storey, has a lovely ear that ascends above the x-height. In the italic fonts, both the ‘a’ and the ‘g’ are single-storey. The italic letterforms also feature especially-prominent ball terminals. Claire is the work of a team of Paris-based type designers including Jérémie Hornus, Gaetan Baehr, Jean-Baptiste Morizot, Alisa Nowak and Théo Guillard.
Clash Grotesk Display Font Family - 6 Fonts
Clash Grotesk Display is a family of sans serif fonts for use in large sizes. While the design of the family’s six styles – ranging in weight from Extralight through Bold – is generally neo-grotesk in style, one feature immediately sets them apart from other typefaces of that genre: The letterforms have very small ‘apertures’. These are the openings at the edges of counterforms; if you look at the ‘c’, for instance, the space between ends of the arms on the letter’s right-hand side is very small. It almost looks like that aperture is about to close shut. Clash Grotesk Display is eye catching, but its ‘design trick’ does not go overboard. The typeface is tame enough to be used in corporate identity work, while remaining exciting enough for editorial designers. Clash Grotesk Display has a companion family available for use in smaller-sized text: Clash Grotesk. In terms of design, the biggest difference between Clash Grotesk Display and Clash Grotesk is that the later typeface’s letterforms are drawn with strokes that are optically monolinear, while the letterforms in Clash Grotesk Display have much more stroke-contrast. As the Clash Grotesk Display family’s weights get heavier, the contrast in the letterforms’ stroke connections becomes very prominent. Their appearance becomes quite ‘pinched’. Clash Grotesk Display’s numerals are proportional lining figures, just as tall as tops of the uppercase letters. The lowercase’s ascenders rise up to this common capital/numeral height, too. The fonts’ x-height is tall. Clash Grotesk Display’s lowercase ‘a’ is double-story, while its ‘g’ is single-storey.
Comico is an informal handwriting font. Its letterforms are all-caps, and these appear as if they had been written with a slight left-lean. The design has the name Comico, of course, because its letters look very much like the style of lettering used in comic books. Comico’s character set is quite large, and it includes almost 1,000 special glyphs – these are ligatures and alternate versions of letters. Comico’s significant variety of extras will be automatically substituted into any text where the OpenType ‘contextual alternates’ feature has been applied. Indeed, the use of this feature is especially recommended for Comico (it is is for all glyph-rich fonts like it), since having multiple versions of each letter in a text make it more likely to appear handwritten. Most of the counterforms in Comico’s letters are large, and all of the letters’ minute details is drawn with straight lines. While the font is intended for use at natural handwriting sizes, if it is used very big, text set with Comico will actually appear pixelated. Comico is the work of Frode Helland, a type designer from Norway.